Viva Theatre Company’s presentation of “Blithe Spirit” by Noel Coward was a highly successful and entertaining exploration of ‘what if’ scenarios that had the audience highly amused, intrigued and excited.
With effective characterisation, clear and well-timed delivery and a keen sensitivity to the witty potential of the script, the cast developed events wonderfully to its dramatic end.
Charles Condomine (played by David Tickner) was the much put-upon husband, reeling from one catastrophic event to another after his first dead wife Elvira arrived in his house as a ghost. David’s wounded-victim-look was unforgettable. Charles’ current wife, Ruth (Judith Keen) was very much alive and feared for the sanity of her husband who seemed to make no sense to her as he responded rudely and forcefully to Elvira – the ghost that Ruth could not see. There scenes were particularly successful.
Elvira (Sarah Dowd) in a magnificent, flowing, ghostly gown was very much the impish mischievous trouble-maker and her timely delivery and powerful presence added spice to the animated episodes.
The bicycle riding Madame Arcati (Delia Tickner) enlivened events wonderfully as her enthusiasm for séances and her profession as a medium had her ecstatically involved in trying to resolve the problems Elvira’s arrival created. Her broad sweeping gestures and her overwhelming expressions of excitement and delight made her role come alive as an essential pivotal ingredient.
Contrasting these exuberant characters were the down-to-earth Dr George Bradman (Dan Schumann) and his wife Violet (Sarah Robinson). George was the epitome of the highly reputable doctor, scientist and sceptic and Violet the submissive and loyal wife.
One of the finest members of the cast was undoubtedly Edith the Maid (Maureen Hardingham). Her skittish movements, exaggerated reactions and her clear interpolations made her part come alive – and such a fine singing voice, too.
Splendid costumes, highly versatile props and scenery and a large supportive and effective team behind this production made it a most memorable event. Director Joshua Schumann and Co-Director Kirsten Green should be well pleased.
